Showing posts with label Concerts. Show all posts
Showing posts with label Concerts. Show all posts

Wednesday, September 16, 2009

Review: U2 Shines at Solider Field

Music has always served as my escape from the every day hustle and bustle of life. The economic crisis that has gripped this country has affected the way that people live and has inevitably changed the way that people spend their money. To most people, concert tickets would be on top of the list of items to cut out of their budget. It seems as if U2 serves as the exception to the rule.

When the house lights cut out on Sunday night at Chicago’s Soldier Field the crowd erupted. You could tell the audience was ready for any and everything the band had in store for them. U2 could have easily rolled out their greatest hits and pleased the crowd, but they held back and played a career-spanning set.

The band wasted no time in introducing their new material. The first four songs of set included Breathe, No Line on the Horizon, Get on Your Boots and Magnificent off their latest release No Line On The Horizon. The album has been meet with mixed reviews, but that hasn’t deterred the band from playing the material live. If anything, a lot of U2’s material translates much better live than on their records. Sunday’s show was no exception.

Bono gave props to local heroes Wilco by singing the line “kiss and ride on the cta” from Far Far Away before launching into Beautiful Day. It was a subtle shout out, but none the less Bono recognized that even though U2 can sell out Soldier Field, Chicago is still Wilco’s town.

It is well publicized that U2 has - for lack of a better word - a ridiculous stage for their 360ยบ World Tour. It takes over 100 trailers to bring it from city to city and takes 48 hours to dismantle and load out. The carbon foot print that U2 is leaving would make even Big Foot blush. It is estimated their carbon footprint for this tour will exceed 65,000 tons. That is the equivalent of flying an airliner to Mars! The band is working on plans to offset their environmental disaster, but the plans won’t be announced until after the tour concludes.

The massive stage played a big role in I Still Haven’t Found What I’m Looking For, which served as one of the high points of the night. There were goosebumps aplenty as 60,000+ sang the chorus. This was one of those moments where you say to yourself, “that was awesome!” Before the song, Bono joked that the stage was the “latest in a long line of U2 accessories” referring to their Zoo TV Tour & Popmart Tour, which also featured elaborate stage designs. It was very fitting as Bono was poking fun at his own band’s enjoyment for putting on a true stadium rock show.

Despite the overwhelming size of the stage U2 fit the space surprisingly well. City of Blinding Lights saw the giant screen light up Solider Field. Four spot lights on top of the stage shot into space. The Edge, whose guitar playing is not very flashy, sounded great. His unique sound has defined U2’s sound from the beginning. While not playing one guitar solo the whole evening, The Edge used his myriad of effect pedals to shape the sonic landscape. The rhythm section of drummer Larry Mullen Jr. and bass player Adam Clayton kept perfect time, content to let their band mates shine.

The band ran through classics like Vertigo and Sunday Bloody Sunday before closing their set with a tremendous version of Walk On.

For two hours on Sunday night U2 took their fans on a voyage that many will never forget. Despite the hard economic times the band was able to fill the stadium both nights, which is impressive to say the least. While it may not have been the best concert it was certainly memorable, not only for the production of the show but for the sheer passion the band performs with. After all these years U2 has shown themselves to be the rare ultra-successful band that continues to deliver on all levels.

In case you didn’t read the forecast for Chicago this past Sunday, it was certainly a beautiful day.

Thanks to Scott over at Hidden Track for posting the review on their site.

Sunday, September 13, 2009

Trey Anastasio with the New York Philharmonic at Carnegie Hall



Last night at Carnegie Hall in New York City, Phish guitarist Trey Anastasio fulfilled one of his career goals of playing with the New York Philharmonic at the aforementioned venue. I have only read two reviews of the show and they have been very positive. Carnegie Hall can't even keep the nitrous dealers from crashing the party. I will never forget leaving the Phish show at Fenway Park earlier this year and counting at least 20 nitrous tanks hissing away. I just wish the nitrous dealers could leave their tanks at home and contribute something positive to one of the truly unique music scenes today. Check out the setlist below. Above photo by
Chad Batka for The New York Times

Trey Anastasio with the New York Philharmonic

9-12-09

Carnegie Hall

New York, NY


Set I: First Tube, The Inlaw Josie Wales, Brian and Robert, Divided Sky, Water In the Sky, Pebbles and Marbles, Guyute Orchestral

Set II: Time Turns Elastic, Let Me Lie, You Enjoy Myself

Encore: If I Could



[via Hidden Track]
[via Head Count]

Review: NY Times
Download: Trey Anastasio with the New York Philharmonic @ Carnegie Hall 9-12-09 [MeidaFire]

Saturday, September 12, 2009

The Mars Volta 9-11-09 The Congress Theatre - Chicago, IL

I was watching Michael Jordan's induction speech into the NBA Hall of Fame, when I made a last minute decision to catch The Mars Volta at The Congress Theatre. After all, it was only a 15 minute walk to the venue from my place. I picked up a ticket at the box office and made my way to the balcony. This has to be my least favorite venue in Chicago. The sound is not very good and the biggest problem is that there is absolutely NO air circulation. Even though I sat in the balcony, I was sweating from the moment I got to my seat.

You can never be fully prepared for the musical trip that The Mars Volta take you on when they perform. They can go from 0-1000 at the drop of a dime. "Son Et Lumiere" kicked the show off and from the beginning the band meant business. In between the songs keyboard riffs drummer Thomas Pridgen's thunderous drum fills shook the entire building.


Omar Rodriguez-Lopez used "Goliath" for his first extended guitar solo and with blistering speed delivered one of the best moments of the show. Lead vocalist Cedric Bixler-Zavala moved around the stage like a young James Brown.


As chaotic as the music can be at times, The Mars Volta are able to slow it down and add some psychedelia to their show. As "Roulette Dares (the haunt of)" came to and end the band cooled off for a bit for a very nice ambient jam. Keyboardist Isaiah "Ikey" Owens and Marcel Rodriguez-Lopez really shined during this song as their added textures really enhanced the ambient nature of the jam.


Channeling the spirit of Jimmy Page is what Omar Rodriguez-Lopez did during the jam in "Ilyena". The riff that he was playing was very similar to "Immigrant Song" and fit the song perfectly.


On several occasions during the night, drummer Thomas Pridgen used his brute force and took over the show. He looked like an octopus behind the drums with both of his arms just wailing away without missing a beat. The Mars Volta continue to create fresh music and if we are lucky the band will continue to grace us with some of the craziest, fastest, interesting and most beautiful music being made today.

The Mars Volta
9-11-09
The Congress Theatre
Chicago, IL

Son Et Lumiere
Intertiatic E.S.P
Goliath
Cotopaxi
Roulette Dares
Viscera Eyes
Halo Of Nembutals
Eunuch Provocateur
Ilyena
Teflon
Drunkship Of Lanterns
Luciforms
The Widow
Wax Simulacra

Wednesday, August 26, 2009

Pearl Jam 8/24/09 United Center Chicago, IL


When music is honest, it is pure and when pure it is very powerful. It was fitting that the backdrop of Pearl Jam’s set was an image of a tidal wave. For almost 3 hours Monday night, Pearl Jam was a tidal wave force of energy that left nothing in its wake.


Opening the show, ”Hard to Imagine” served as the calm before the storm. With anticipation building, “Corduroy” came next and the band just exploded along with the crowd. The songs opening line “ The waiting drove me mad” was very fitting as the band was itching to just let loose.


Throughout their set bassist Jeff Ament, and guitarists Mike McCready & Stone Gossard would often huddle up with each other and feed of off each others energy, often ending up with one of them spinning off and jumping around the stage.


Eddie Vedder is the unequivocal leader of Pearl Jam. That did not stop him from stepping aside and letting his band mates steal the show. In the only two moments of excess during the show, Vedder stepped aside as guitarists Mike McCready and Stone Gossard took center stage.


Both “Evenflow” and “Alive” featured extended guitar solos while Vedder stood behind the stage content on just soaking it all in. Even keyboardist Boom Gaspar got in on the action. During “Crazy Mary” he took an extended keyboard solo, which has become a cornerstone of the song live. After the song finished the fans chanted Booooom in the same fashion as Boston Red Sox fans cheer for Kevin Youkilis.


As “State of Love and Trust” ended the house lights came on, but the band seemed oblivious. Instead the band dedicated “Fuckin' Up” to Dennis Rodman, who was not in attendance. “Yellow Ledbetter” followed and served as the perfect ending to the show as McCready serenaded the crowd with his rendition of “The Star Spangled Banner”.


You could tell that the band is very humbled by Chicago and it's fans. Chicago was one of only four cities to get multiple shows on their current tour. Vedder was very appreciative as he spoke of Chicago as the band has had some very memorable shows including gigs at Solider Field and The Chicago Stadium.


After twenty years it is very evident that the band are very close friends and enjoy performing together. For a band to be as successful as Pearl Jam is an ego check is a necessary, and that is exactly what they have done for their entire career. The band once again delivered a tremendous performance and added another chapter in the bands storied career. Like a good scotch, Pearl Jam just gets better with age.


Pearl Jam
August 24, 2009
United Center

Set I
Hard To Imagine
Corduroy
In My Tree
Last Exit
All Night
Nothingman
The Fixer
Evenflow
Present Tense
Whipping
Not For You (Modern Girl)
Daughter (Another Brick In The Wall)
Brother
Gone
Got Some
Do The Evolution
Alive

Encore 1

No More
Comatose
Grievance
Black
The Real Me%
Porch

Encore 2
Wasted Reprise
Better Man (Save It For Later)
Crazy Mary^
State Of Love And Trust
Fuckin Up@
Yellow Ledbetter (The Star-Spangled Banner)$


@ - Dedicated to Dennis Rodman
$ - After the song ended guitarist Mike McCready performed The Star Spangled Banner solo
% -The Who cover
^ - Victoria Williams cover

Tuesday, August 18, 2009

Phish 8/11/09 Toyota Park Bridgeview, IL














This is my first attempt at a music blog or any blog for that matter, but I am really excited about it!!!! Music is something that really interests me and I wanted to start writing down my thoughts and sharing them with people. I was thinking about what my first post should be and of course Phish was my first choice!

When Phish announced their second leg of their summer tour, I was surprised to see that they were playing Toyota Park considering they had already hit up Deer Creek and Alpine Valley. I was excited nonetheless.

I arrived at Toyota Park and immediately got a nice spot on the field. As I took a seat waiting for the band to come on I ran into an old high school friend who I had not seen since 1997. It was a very nice surprise and it helped pass the time before the show began.

Predicting set openers for Phish is exciting because every fan has their own thoughts for why a certain song should open a show. Tonight, "Kill Devil Falls" opened the show and did a nice job of getting the crowd going. After an unimpressive run through "Sample in a Jar" the band launched into "Ocelot". The jam out of "Ocelot" was pretty standard and the band stretched it out a bit. The first bust out of the show came in the form of "Paul & Silas". The song hadn't been played since 1998 and was a real treat to hear.

Since Phish returned in March, Page has really stepped it up and has really played well at shows. Tonight the band debuted "Windy City", which is a new Page tune. This song definitely has potential and Trey's jam at the end was really cool. The first gem of the night came when the band played "The Curtain With". P
hish has only played it eight times in their twenty plus years as a band. I have been fortunate to have heard it twice. This version did not disappoint and Trey's guitar work on this song was absolutely stunning.

Phish used "Train Song" to bring the crowd back down from the soaring heights that the previous jam brought. "Gumbo" was up next and it was to bad the band did not keep the jam going because they had a real solid groove going. I am not really a fan of the song "Heavy Things", but I will admit the jam at the end of this song was great. For some reason the band was having trouble with the song in the beginning so it sounded a bit sloppy, but Trey picked up the mess with some nice soloing at the end.

"Time Turns Elastic" closed the first set and I will say that this version really didn't do it for me. I am a big fan of this song and the placement of this song is very important. The song is very awkward when it is placed in the middle of a set. Due to it's length it can really kill any flow a set has. I am a firm believer that this song should be used exclusively as a set closer.

"Backwards Down The Number Line" began the second set and it really set the tone for rest of the show. Quickly becoming a favorite of many, Phish absolutely ripped this song apart. By completely abandoning the song structure the band delivered the best jam of the night. A rocking "Carini" picked up the energy again and with Trey and Mike on top of their games. With the second set off to a blazing start Trey started up the opening riff to "Gotta Jibboo". Trey was enjoying himself on this and really delivered some solid playing. This upbeat jam was in stark contrast to the hard jam in "Carini" Perhaps the biggest dud of the night was "Theme From The Bottom". The band never seemed to get in step with this song and the ending was less than stellar.

"Wilson" began and it was really awesome to hear 30,000 people chant Wilson! After ripping this up Fishman, cued up "2001" and the band delivered a solid version. I would say this song has lost its luster a bit. It seems like Mike's bass isn't as funky as he should be! No flubs on the riff from Trey. I didn't like the placement of "Chalkdust Torture", but the band was on and it sounded good. "Harry Hood" was next and was played well compared to some earlier versions this summer. "The Squirming Coil" closed what was a much better set than the first. Page delivered a beautiful piano solo, which drew a nice applause as it usually does. I had called a "Loving Cup" for tonight and Phish ripped through this Rolling Stone tune for the encore.

This was Phish show number twenty two for me and it was not one of the better shows I have seen. The band had some really nice jams peppered through each set, but there didn't seem to be much flow as a whole. I am very excited that Phish is back and I look forward to my next adventure with them!

Like I said, this blog is a work in progress and so is my writing. I haven't done much writing so bear with me. I have some ideas for my blog and I am really looking forward to sharing my thoughts.

Phish > 8-11-09 Toyota Park Bridgeview, IL
Set I: Kill Devil Falls, Sample in a Jar, Ocelot, Paul & Silas*, Windy City^, The Curtain With, Train Song, Gumbo, Heavy Things, Time Turns Elastic
Set II: Backwards Down The Number Line> Carini, Gotta Jibboo, Theme From The Bottom, Wilson, Also Sprach Zarathustra> Chalkdust Torture, Harry Hood, The Squirming Coil
Encore:
Loving Cup


Notes: *Last Time Played 11/29/98 (206 Shows), ^First Time Played (New Page song)